14 APR 1914-18 APR 2001 KHURSHEED BANO
Khursheed Bano
From Wikipedia, the free encyclopedia
- This is about the Indian performer. For people so surnamed, see Khurshid.
Khursheed Bano | |
---|---|
Born | Irshad Begum 14 April 1914 Kasur District, Lahore, (British India), Pakistan |
Died | 18 April 2001 (aged 87) Karachi, Sindh, Pakistan |
Occupation | Actress, singer |
Years active | 1931–1948, 1956 |
Religion | Islam |
Spouse(s) | Yaqub Lala (m. 1949–1963, divorced) Irshad Bhaimiyan |
Children | 3 |
Relatives | Meena Kumari |
Khursheed Bano (Punjabi, Urdu: خورشید بانو) (14 April 1914 – 18 April 2001) often credited as Khursheed or Khurshid was a singer and actress, and a pioneer of the Indian cinema. Her career ran through the 1930s and 1940s, before she migrated to Pakistan in 1948. Making her debut with Laila Majnu (1931), she acted in over thirty films in India.[1] She is best known for her film Tansen (1943) with actor-singer K. L. Saigal, which featured many of her memorable songs.[2][3][4]
Contents
[hide]Early life[edit]
She was born Irshad Begum to Ali Baksh and Iqbal Begum in the village of Choonian, in Kasur District, Lahore, Punjab in present day Pakistan.[5] Her cousin was the famous Indian actress Meena Shori.[citation needed]
Career[edit]
Khursheed Bano started her film career with the screen name Shehla in the silent film Eye for an Eye (1931) the year when the first talkie film (Alam Ara) of the subcontinent was released. Some of her films released during this phase were Laila Majnu (1931), Muflis Aashiq (1932), Naklee Doctor]] (1933), Bomb Shell and Mirza Sahiban (1935), Kimiagar (1936), Iman Farosh (1937), Madhur Milan (1938) and Sitara (1939).
During 1931 and 1942, she acted in films made by the studios in Calcutta and Lahore but though recognised as a singer actress, the films did not make an impact. Some of her films in the 1940s were Musafir (1940), Holi (1940) ("Bhigoi Moree Saree Ray"), Shadi (1941) ("Hari ke Goon Prabhu ke Goon gavun mein" and "Ghir Ghir Aaye Baderia"), Pardesi (1941) ("Pahley Jo Mohabbat Sey Inkaar Kia Hota" and "Mori Ateria Hai Sooni"). In Bhakta Surdas (1942) "Panchee Bawra", whose composer was Gyan Dutt became a very famous song of the 1940s. The other popular songs from the same film are "Madhur Madhur Ga Ray Manwa", "Jholee Bhar Taray Laday Ray', and a duet "Chandni Raat Aur Taray Khilay Hon" with K. L. Saigal.[5]
Her peak period came when she moved to Bombay to act in Ranjit Movietone films with actors like K. L. Saigal and Motilal. She achieved immense popularity when she acted opposite the famous singer-actor K. L. Saigal in the Chaturbhuj Doshi directed, Bhukt Surdas(1942) followed by Tansen (1943) and was referred to as the "first of the singing stars".[6] Her other two main lead stars were Jairaj, and Ishwarlal.[7]
She acted in "Nurse" ("Koyalia Kahay Bolay Ree") in 1943. "Tansen" (1943), with music composed by Khemchand Prakash, was also a high point in her acting career. Her famous songs included "Barso Re", "Ghata Ghan Ghor Ghor", "Dukhia Jiara", "Ab Raja Bhae Moray Balam", and a duet, "Moray Bala Pun Kay Sathee Chela" with K. L. Saigal.
Her other famous films are: Mumtaz Mahal (1940) ("Jo Hum Pay Guzarti Hai", "Dil Kee Dharkan Bana Liya"), Shahenshah Babar (1944) ("Mohabbat Mein Sara Jahan Jal Raha Hai", "Bulbul Aa Tu Bhi Ga"), Prabhu ka Ghar and Moorti (1945) ("Ambwa Pay Koyal Boley", "Baderia baras gayee uss paar") with music composition by Bulo. C. Rani, Mitti (1947) ("Chahi Kali Ghata More Balam") in 1947, Aap Beetee (1948) ("Meree Bintee Suno Bhagwan").
Migration to Pakistan[edit]
Her last film in India was Papeeha Re (1948), which was a great hit, prior to her migration to Pakistan, leaving her mark in the Indian film industry. Khursheed migrated to Pakistan after the independence, with her husband and settled down in Karachi, Sindh, Pakistan.[citation needed]
She worked in two films in 1956, Fankar and Mandi. Mandi was notable because of Khursheed and music composer Rafiq Ghaznavi, but because of poor handling of the film, the film was not a success at the box-office. The second film Fankar produced by Robert Malik, a physics teacher at Saint Paul's English High, in Karachi suffered the same fate.[7]
Personal life[edit]
Khursheed married her manager Lala Yakub (not to be confused with the actor Yakub), who was a small-time actor with Kardar Productions and member of the Bhati Gate Group, Lahore, Pakistan.[5] Due to personal problems, she divorced Yakub in 1956. She married Yusuf Bhaimia, who was in the shipping business, in 1956. She had three children and had stopped working in films since her last film in 1956.[7]
Death[edit]
Khursheed Bano died on 18 April 2001 in Karachi, Pakistan four days after her 87th birthday.[citation needed]
Filmography[edit]
India[edit]
- Laila Majnu (as Shahla) (1931)
- Muflis Ashaq (1932)
- Hathili Dulhan (1931)
- Chatra Bakavali (1932)
- Nakli Doctor (1933)
- Mirza Sahiban (as Khursheed) (1933)
- Aankh Ka Nasha (as Shahla) (1933)
- Swarg Ki Sidhi (as Khursheed) (1935)
- Bombshell (as Khursheed) (1935)
- Sipah Salar (1936)
- Piya Ki Jogan (as Shahla) (1936)
- Kimiagar (1936)
- Ailane Jung (1936)
- Sitara (1938)
- Prem Samadhi (1938)
- Madhur Milan (1938)
- The Daughters of India (1939)
- Kaun Kisika (1939)
- Aap Ki Marzi (1939)
- Musafir (1940)
- Holi (1940)
- Shaadi (1941)
- Pardesi (1941)
- Beti (1941)
- Chandni (1942)
- Bhakta Surdas (1942)
- Tansen (1943)
- Dr. Kumar (1944)
- Shahenshah Babar (1944)
- Mumtaz Mahal (1944)
- Prabhu Ka Ghar (1945)
- Moorti (1945)
- Devar (1946)
- Phoolwari (1946)
- Manjhdhar (1947)
- Rangeen Kahani (1947)
- Mitti (1947)
- Aap Beetee (1948)
- Papiha Re (1948)
Pakistan[edit]
- Mandi (1956)
- Fankar (1956)
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Khursheed Bano (Punjabi, Urdu: خورشید بانو ) (14 April 1914 – 18 April 2001) often credited as Khursheed or Khurshid was a singer and actress, and a pioneerBegum Khurshid Mirza - Wikipedia, the free encyclopedia
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Died: April 18, 2001, Karachi, Pakistan
Spouse: Yaqub Lala (m. 1949–1963), Yakub Khan Mehboob Khan (m. ?–1956)
Kharghar, Navi Mumbai, Maharashtra - From your Internet address - Use precise location
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